Now in its seventeenth year, the National Recording Registry has grown to 525 entries with Librarian of Congress Carla Hayden having just announced 25 additional sound recordings as the official entries for 2018, stating: “The National Recording Registry honors the music that enriches our souls, the voices that tell our stories and the sounds that mirror our lives. The influence of recorded sound over its nearly 160-year history has been profound and technology has increased its reach and significance exponentially. The Library of Congress and its many collaborators are working to preserve these sounds and moments in time, which reflect our past, present and future.”
Under the National Recording Preservation Act of 2000, selected recordings must be "culturally, historically, or aesthetically significant" and at least ten years old.
Spanning the years 1901-2001, the selections for 2018 are as follows:
- Yiddish Cylinders from the Standard Phonograph Company of New York and the Thomas Lambert Company (c. 1901-1905)
- “Memphis Blues” (single), Victor Military Band (1914)
- Melville Jacobs Collection of Native Americans of the American Northwest (1929-1939)
- “Minnie the Moocher” (single), Cab Calloway (1931)
- “Bach Six Cello Suites” (album), Pablo Casals (c. 1939)
- “They Look Like Men of War” (single), Deep River Boys (1941)
- “Gunsmoke” — Episode: “The Cabin” (Dec. 27, 1952)
- Ruth Draper: Complete recorded monologues, Ruth Draper (1954-1956)
- “La Bamba” (single), Ritchie Valens (1958)
- “Long Black Veil” (single), Lefty Frizzell (1959)
- “Stan Freberg Presents the United States of America, Vol. 1: The Early Years” (album), Stan Freberg (1961)
- “GO” (album), Dexter Gordon (1962)
- “War Requiem” (album), Benjamin Britten (1963)
- “Mississippi Goddam” (single), Nina Simone (1964)
- “Soul Man” (single), Sam & Dave (1967)
- “Hair” (original Broadway cast recording) (1968)
- Speech on the Death of Dr. Martin Luther King, Jr., Robert F. Kennedy (April 4, 1968)
- “Sweet Caroline” (single), Neil Diamond (1969)
- “Superfly” (album), Curtis Mayfield (1972)
- “Ola Belle Reed” (album), Ola Belle Reed (1973)
- “September” (single), Earth, Wind & Fire (1978)
- “You Make Me Feel (Mighty Real)” (single), Sylvester (1978)
- “She’s So Unusual” (album), Cyndi Lauper (1983)
- “Schoolhouse Rock!: The Box Set” (1996)
- “The Blueprint” (album), Jay-Z (2001)
The full National Recording Registry can be viewed online here. The Registry solicits nominations annually for inclusion on the registry; further information on the criteria and procedures for making nominations for 2019 is available at the Registry website.
Love free-form radio? Then consider supporting independent station WFMU during its annual fundraising Marathon that runs March 2-17, 2019. WFMU first hit the airwaves sixty years ago on April 24, 1958 at the now-defunct Upsala College and has never looked back. Currently based in Jersey City, New Jersey, WFMU broadcasts at 91.1 Mhz in New York and via a second signal at 90.1 Mhz in the Hudson Valley. WFMU has long been an Internet pioneer, and has multiple online streams, as well as an extensive archive of past shows.
What is free-form radio you might ask? WFMU describes itself as follows:
WFMU's programming ranges from flat-out uncategorizable strangeness to rock and roll, experimental music, 78 RPM Records, jazz, psychedelia, hip-hop, electronica, hand-cranked wax cylinders, punk rock, gospel, exotica, R&B, radio improvisation, cooking instructions, classic radio airchecks, found sound, dopey call-in shows, interviews with obscure radio personalities and notable science-world luminaries, spoken word collages, Andrew Lloyd Webber soundtracks in languages other than English as well as country and western music.
And because the station is listener-supported, WFMU DJs have for years maintained complete autonomy and control over their own programming, which is extraordinarily eclectic. Check out the current WFMU audio smorgasbord, and see for yourself.
Note: The image above is the Common Curator's antiquarian twist on WFMU's classic "Woof-Moo" logo designed by Aaron Taylor Waldman. The premiums for this year's marathon can be viewed here.
